St. Martin's Chamber Choir Home"My Spirit Rejoices"
Program notes from Artistic Director Timothy J. Krueger
| I. Gregorian Vespers | ||
| (sung
by the women) Introit: Deus in adjutorium (Solemn Tone) Psalm 109 (Tone 7) Psalm 110 (Tone 3) Hymn: Lucis Creator optime Responsory: Dirigitur Domine Canticle: Magnificat (Tone 8) Suffrage: Beata Dei Genetrix Dismissal: Benedicamus Domino |
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| II.
Ancient Magnificat Settings: The Tradition of Alternatim |
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| Simple Faux-bourdon (c. 1300) | ||
| Faux-bourdon by John Holmes (d. 1629) | ||
| Alard du Gaucquier (c. 1534-1582) | ||
| John Farrant (fl. 1572-1593) | ||
| III. Related Marian Hymns | ||
| Stabat Mater | Claudio Casciolini (c. 1670-1759) | |
| Ave maris stella | Giovanni Mateo Asola (c. 1532-1609) | |
| IV. Protestant Magnificat Settings | ||
| Benjamin Cooke (1734-1793) | ||
| Charles Wood (1866-1926) | ||
| Hugo Distler (1908-1942) | ||
| V. The Annunciation | ||
| The Angel's Greeting (Der englische Gruss) | Johannes Brahms (1833-1897) | |
| The Angel Gabriel | Basque folk tune | |
| Ave Maria | Tomás Luis da Victoria (1511-1585) | |
| VI. Anglican Evensong | ||
| Preces & Responses | Timothy J. Krueger (2003) | |
| Christe, qui lux es et dies | Robert Whyte (c. 1538-1574) | |
| Magnificat & Nunc dimittis | Timothy J. Krueger (2003) | |
| Anthem: Ubi caritas | Maurice Durufle (1902-1986) | |
|
Sponsored by the Kenneth Kendal King Foundation and Brock Erickson |
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