St. Martin's Chamber Choir Home
Charles Villiers Stanford:
The Second English Musical Renaissance
| I. Sir Charles Villiers Stanford (1852-1924) | ||||||
| Magnificat for Double Choir, Op. 164 | ||||||
| Three Motets, Op. 38 | ||||||
| Justorum anime Beati quorum via Coelos ascendit |
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| Four Partsongs (texts by Mary Coleridge) | ||||||
| The Haven The Train Wilderspin The Bluebird |
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II. A Stanford Lineage |
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| Ralph Vaughan Williams (1872-1958) | ||||||
| Silence and Music (1953) | ||||||
| Valiant-for-truth (1941) | ||||||
| Clifford Harker (1912-1999), student of Vaughan Williams | ||||||
| Come, my way (1958) | ||||||
| Lionel Pike (b. 1939), student of Harker | ||||||
| Wisdom (1991) | ||||||
| Timothy J. Krueger (b. 1964), student of Pike | ||||||
| Four Brief Introits (2001) | ||||||
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III. Stanford's Students |
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Herbert Howells (1892-1983) |
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| A Spotless Rose | ||||||
| Sing Lullaby | ||||||
| John Ireland (1879-1962) | ||||||
| An Island Hymn | ||||||
| Gustav Holst (1874-1934) | ||||||
| Soft and gently | ||||||
| William H. Harris (1883-1973) | ||||||
| Faire is the heaven | ||||||
| Charles Wood (1866-1926) | ||||||
| Nunc dimittis | ||||||